8pm
Eric Glick Rieman and friends
Nava Dunkelman: percussion.
Stephanie Neumann: saxophones and voice.
Jakob Pek: guitars and percussion.
Eric Glick Rieman : uncharacteristically on modular synthesizer and box board
9pm
Loop 2.4.3's Time-Machine_music - Thomas Kozumplik (aka Loop 2.4.3)
combines man's oldest instruments (percussion and voice) with electronics and time-based effects to create an other-worldly musical journey.
Eric Glick Rieman has assembled a small cast of improviser/performers for this set. On the docket, find his graphic scores made in collaboration with snails (http://www.ericglickrieman.com/scores.html), free/open improvisation, and perhaps a piece from his vaults ("She Dolls with Dollies" - from 2000 - created using a codification system analyzing the words from the poem of the same name by Dada poet Kurt Schwitters).
Thomas Kozumplik (aka Loop 2.4.3) combines man's oldest instruments (percussion and voice) with electronics and time-based effects to create an other-worldly musical journey. The material deals with literally and figuratively manipulating and experiencing "time" in different ways, from a personal and social perspective, and is alternately contemplative, melodic, rhythmic, poignant, and cathartic. Please see www.loop243.com for more.
This concert is part of a California tour that will take the “Time-Machine” to Santa Cruz, Sacramento, San Francisco, Los Angeles, Studio City, Whittier, and Joshua Tree. The engagements include concerts at clubs and arts centers, as well as outreach programs for students from elementary to college level, arranged through Look 2.4.3’s label, Music Starts From Silence (www.MusicStartsFromSilence.com).
Thomas Kozumplik (Loop 2.4.3, Clogs) has appeared internationally as a soloist and chamber musician in collaborations with the Brooklyn Philharmonic, Adelaide Art Orchestra, Kronos Quartet, Dafnis Prieto, Evan Ziporyn, Bang on a Can All-Stars, Shara Worden, Sufjan Stevens, The Books, The National, Gyan Riley, Legacy Percussion Orchestra, and more, at venues such as the Barbican (London), Carnegie Hall (NYC), Brighton Dome (Brighton, UK), Paradiso (Amsterdam), France Inter Radio "White Sessions" (Paris), international festivals such as the Sydney Festival (AUS), Adelaide Festival (AUS), London Jazz Festival (UK), Music Now (Cincinnati), Big Ears (Knoxville), Ecstatic Music Festival (NYC), Halifax Jazz Festival (NS), and universities, including Cornell, California Institute of the Arts, Michigan State Univ., Santa Clara Univ., and many more. His original music has been described as "action adventures and reveries...it all sounds like part of a well-thought-out tradition. Only the tradition has never existed until now." - NPR
Cost: $6-15
Videos featuring musicians playing at this event
Fred Frith and Nava Dunkelman