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Tom Djll

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Biography:

Tom Djll studied music at Berklee School of Music, the Colorado College, the Creative Music Studio, and Mills College's Center for Contemporary Music. Teachers include Anthony Braxton, Roscoe Mitchell, Karl Berger, Lester Bowie, Leo Smith, George Lewis, Pauline Oliveros, and Alvin Curran. He is the recipient of a 'Deeploma' from the Deep Listening Organization as well as a Masters degree in Electronic Music from Mills College, where he was also awarded the Paul Merritt Henry Prize for Composition. Tom has led improvising workshops in California and New Mexico and in 2004 completed a monthlong residency at Mills, focusing on extended techniques. In 2007 Tom was featured in the film Noisy People, a document of the San Francisco Bay Area experimental music scene. 2003 and 2008 saw stagings of Mockracy, for co-operative orchestra, actors, electronics and live video.

Tom has spent over twenty years developing the trumpet’s extended techniques. His musical language incorporates complex noises and gritty, unheard textures from electronica and asymmetrical, often rude formal structures. Tom has made a lifelong study of the art of improvised music, and has been actively performing since 1980. He has performed with Gino Robair, Gianni Gebbia, John Butcher, Steve Adams, Tom Nunn, Eugene Chadbourne, Natsuki Tamura, Andrew Voigt, Biggi Vinkeloe, Frank Gratkowski, Lê Quan Ninh, Chris Brown, Ignaz Schick, Fred Frith, The Splatter Trio, Gail Brand, Wolfgang Fuchs, William Winant, Toshi Makihara, Jon Raskin, Phillip Greenlief, Pauline Oliveros, “Blue” Gene Tyranny, nmperign, Jack Wright, Miya Masaoka, Luc Houtkamp, Tatsuya Nakatani, and too many others to list.

Tom appears on recordings on Emanem, Tzadik, Creative Sources, Rastascan, Spring Garden, Limited sEdition, Artifact, and his own Soul On Rice label. Tom also writes about music for The Wire, Signal To Noise, Bagatellen, Musicworks, One Final Note, Open Space and the Transbay Calendar.

Tom appears on recordings with Miya Masaoka, Vijay Iyer and others on Rastascan's Wavelength/Infinity, the Sun Ra tribute album, and with Chris Brown on LAVA (Tzadik) and Duets (Artifact). Self-produced CD, MUTOOTATOR: duets with William Winant, Myles Boisen, Ed Herrmann, Fred Lonberg-Holm, Ron Anderson, Thomas Scandura, Tom Nunn, Doug Carroll, and Jack Wright, 1993. MUTOOTATOR is available from ReR Megacorp and from Djll.

"An acknowledged innovator in the use of extended split-tone techniques and multiphonics on trumpet, Djll comes across on stage as something of a trickster, a canny manipulator of sounds-you-never-expected-to-hear-on-a-trumpet, a magician who uses valves and breath rather than smoke and mirrors." - JazzCorner.com

And, inevitably: http://www.myspace.com/analoguelipsynthesizer


Work-In-Progress:

Somewhat recent releases





Grosse Abfahrt: VANITY. Just released on Emanem! (#5007) Grosse Abfahrt is the name I gave the project on the occasion of its first recording. In German, it means 'great departure'. The project is to take a core group of Bay Area musicians and put them together with out of town guests. Always free improvisation. This recording marks the third documentation of the project. The usual quintet of tighter-than-air Bay Area music makers (see below), plus cellist Theresa Wong, contrebassist David Chiesa, and violinist/violist Matthieu Werchowski. Recorded live at 21Grand Gallery, April 2008.



Grosse Abfahrt - everything that disappears Emanem 4146 Wide-ranging, long-structure improvisations by a nonet consisting of John Bischoff, Frederic Blondy, George Cremaschi, Tom Djll, Matt Ingalls, Le Quan Ninh, Tim Perkis, Gino Robair, and John Shiurba. The handsome jacket features photos by Dill Pixels.

Not quite so recent releases



Grosse Abfahrt - Erstes Luftschiffe Zu Kalifornien - Recorded in 2004, this lighter-than-air octet is comprised of Boris Baltschun and Serge Baghdassarians from Germany, and Bay Area mofos Gino Robair, Chris Brown, John Shiurba, Tim Perkis, Matt Ingalls, and Djll. 47-something minutes of stretched-outness, available from Creative Sources (Portugal) and online at squidco, metamkine, minimamedia, fonoteca, and diapazon.
"One of the best discs you're likely to hear this year." -- Paris Transatlantic

Bellerophone - Trumpet Solo Music. In which the history of brass playing is not lightly "deconstructed" but wholeheartedly eviscerated. (SRPD 02) Review here.

SMUDGE - Once was trumpet and some other sounds - like the sound of a contact mic being dragged over a plasticized 3-d mousepad surface - but emerges sounding more like an albatross'-ear-view of the inside of a jet turbine. Coffee, tea, or dB? (SRPD 03) Review here.

Road Signs - Documetations of bits of two tours with saxophone guru Jack Wright in 2002 and 2005. Two trios with another sax maven, Bhob Rainey; one longer trio with percussionist/noisician Tim Feeney. Recorded in Boston and Rochester, NY. Since both Rainey and Feeney are from Boston, I almost called this one "Boston Has Beens," but, thankfully, cooler heads prevailed. (SRPD 04)
"...the emotional range and sound palette are astonishingly wide-ranging, and flavoured with a keen sense of humour, too. Essential listening for anyone following the micro-micro end of the current improv scene. Nate Dorward, CADENCE another review here


Releases from earlier in the millenium

"TREE PIECES" compositions by Wendy Reid. Brassiosaurus plays Tree Piece #52 for trumpet, trombones, tuba and voice.

"SIX FUCHS" improvisations by Wolfgang Fuchs, Gino Robair, Matthew Sperry, John Shiurba, Tim Perkis, and Djll - Rastascan BRD052 Read a review at All About Jazz.

"TRIPLICATE" music by John Shiurba; with Morgan Guberman, Lara Bruckmann, matt ingalls, Tom Yoder, Daniel Plonsey, Matthew Sperry, Gino Robair, and Djll. SPOOL ARC 2 (SPA 402)

"DANIEL POPSICLE: MUSIC OF EL CERRITO VOL. 2A" music by Dan Plonsey; with mixed orchestra. UnLimited Sedition ULS02

Moe! Staiano's MOE!KESTRA!
"Two Forms of Multitudes: Conducted Improvisations"
Dephine KNormal DKM06/PAX PR90261 /Edgetone EDT4021

"Blasted Rustbucket" Trumpet Solo, Artship Recordings #33 Read a review of Blasted Rustbucket here! (Out of print)

"Praeface" (an excellent compilation of Praemedia recording artists)
Tim Perkis & Tom Djll: cut #12 "on the crown"
Praemedia PRAECD001

Signs of Life
Jack Wright - saxophones
matt ingalls - clarinet
Bhob Rainey - soprano saxophone
Tom Djll - trumpet
Spring Garden Music SGM 010
Here's a review of Signs of Life



Address: P.O. Box 7180
Santa Cruz, CA 95060
Phone: 831-320-1489
Email: djll_at_sonic_dot_net

Upcoming Events:

21 Grand

416 25th St @Broadway
Near 19th Street BART
Oakland

Wednesday, Feb 17 2010 8:00 PM

$20 general/$15 students & seniors

GROSSE ABFAHRT, the Bay Area's acclaimed international large improvising ensemble, celebrates the release of its third CD – VANITY, on Emanem – featuring Birgit Ulher, trumpeter from Germany, and Kyle Bruckmann, oboist from Mars; these in addition to regulars John Shiurba, Matt Ingalls, Gino Robair, Tim Perkis, and leader Tom Djll.

Grosse Abfahrt is a project designed to explore a number of problems in freely improvised music. The first and most obvious of these is the problem of ensemble size, which we tackle head-on: GA ensembles are usually of eight to ten players. This range seems to settle in a locale where there is a strong opportunity for individual sound-agents to emerge and make a statement against the ensemble backdrop, and also for the entire ensemble to cohere into long-form structures that transcend the productions of conventional improvised-music sociality (another problem we address). How these ensembles are collected takes up another issue: that of the conflict between fluency and comfort among improvising compadres. Fluency between players’ languages and approaches is desirable, of course; however, it can lead to complacency. The flip side is that constant challenges and/or deliberate upsets in a musical performance may come off as chaotic, incoherent, or just simple bloody-mindedness. Grosse Abfahrt takes on these issues through the dynamic of musical sociality; that is, how the group is composed, rather than how the music is (pre-)composed.

Grosse Abfahrt is made up of a core group of five players which does not vary. These people are all very familiar with each other’s strengths, preferences, and foibles, yet they do not play as a quintet (well, on one occasion we did, for about 20 mins.). To this core are brought musicians who have not played with any of the core members. Often, these outsiders come from far away, and are playing as duos or trios already, so they arrive with some comfort and fluency in their own musical relationship. How these two dynamics come together to create music, with practically no introduction (much less, rehearsal), is our practice.

This iteration of the Abfahrt breaks three of these cardinal rules; however, we expect that fact to lead to ever more stimulating results. Birgit has toured and recorded with Gino, and probably played with all the other GA regulars at one time or another. Kyle, Gino, and John are 3/5ths of PINK MOUNTAIN, and have thus also toured and recorded their brand of blender-projectile rock music. Thus, with seven on stage, we'll miss the minimum requirements for chairs, but with these seven, it's more like fifteen.

Oh, and spectators should bring extra money to buy CDs.


CDs on which Tom Djll appears:

ArtistTitleLabelNumber
Jack Wright and Bhob RaineySigns of LifeSpring Garden Music010
Moe! Staiano's MOE!KESTRA!Two Forms of Multitudes: Conducted ImprovisationsPax RecordingsPR90261
Myles BoisenGuitarspeakRastascan RecordsBRD 017
Tom DjllMutootatorSoul on Rice ProductionsSRPD 01