sfSound presents
THE MUSIC OF
CH
AN
GES
a year long series celebrating John Cage's centennial
Variation VII
John Cage, perhaps the most influential composer of the 20th century, had a prolific and diverse compositional output covering a surprisingly wide range of styles and forms. sfSound's concerts have always featured a similar diversity of the experimental, electronic, theatrical, noise, and "off the page" musical interpretation/improvisation. A perfect match for festival based around Cage's music!
Our next Variation is a program focusing on Cage's most pioneering experimental, electronic, and noise music. Starting with early works utilizing 'non-musical' objects to generate sound [ Living Room Music (1940) and Radio Music (1956) ], we move to Cage's music for amplified objects from the early 60's. These works, epitomized by Cartridge Music (1960), feature graphic scores written on transparencies arranged by performers to realize various "events" amplified with contact microphones and phonograph cartridges. Although Cage was famously opposed to improvisation, these works require musicians who can make musical decisions based on real-time listening -- a skill honed by all the sfSound players!
Balancing out the program are two acoustic works: Music For ________ (1984-87) for chamber ensemble and a new work for improvisers by sfSound's
Christopher Burns.
PROGRAM
Living Room Music (1940)
household objects and voice
Radio Music (1956)
one to eight radios
Cartridge Music (1960)
phonographic pick-ups, small objects, furniture, contact microphones, and amplification
Music for Amplified Toy Pianos (1960)
any number of toy pianos
0'00" (4'33" No.2) (1962)
a disciplined action with maximum amplification
Inlets (Improvisation II) (1977)
water-filled conch shells, a conch shell player using circular breathing and the sound of fire
Music For ________ (1984-87)
chamber ensemble
One3 (1988)
a hall on the edge of feedback
unlit cigarettes (for john cage) (2012)
a new work by
Christopher Burns for four or more improvisers
PERFORMERS
Kyle Bruckmann, oboe, electronics & toy piano
Christopher Burns, electronics
Amar Chaudhary, toy piano
Daniel Cullen, toy piano
Tom Dambly, trumpet, furniture & electronics
Tom Djll, trumpet, electronics, & toy piano
Tara Flandreau, violin and electronics
Matthew Goodheart, furniture, electronics & toy piano
Matt Ingalls, clarinet, furniture, electronics & toy piano
John Ingle, saxophone
Hadley McCarroll, furniture & voice
Wobbly, electronics
Cost: $15 [$8 underemployed]
Videos featuring musicians playing at this event
The premiere, at the 2013 Outsound New Music Summit, of Wrack ...Awaits Silent Tristero's Empire (made possible by the Chamber Music America New Jazz Works commissioning program).
Tender Buttons at Second Act, SF, 2016; live video processing by Bill Thibault