From three of San Francisco's leading experimental/new music purveyors, Crashing The Russian Renaissance finds the trio in some seriously adventurous compositions for electronics and guitar. Reflecting the artists' continued musical evolutions, the music constantly evolves over 30 compositions from thin soundscapes to heavy improvisational dialogues. "one of Diaz-Infante's most rewarding releases and collaborations to date."--Jeramy Ponder, Jackal Blaster Zine